He gets enthusiastic when discussing the different options available for securing a safe abode for the collection — including a brand-new building, called Urdu Bagh, owned by Anjuman-e-Tarraqi-e-Urdu Pakistan in Karachi. For example, if Ameer Minai is a poet, as he is universally known to be, then what kind of poet is he?

Here you can find all types best, famous, memorable, popular & evergreen collections of poems/poetry, shayari, ghazals, nazms, sms, whatsapp-status & quotes. In addition to having saved the letters, he has also retained their original envelopes, many addressed to ‘Rampur City, Rampur State, Rohilkhand’ and stamped with a profile of a young Queen Victoria. None of the pages are brittle to the touch. The fabric covers on most books seem relatively recent, indicating that they have been rebound over the last century. Along with them also moved Ameer Minai’s collection of books and manuscripts. “Unfortunately, only two volumes of the dictionary were published in Ameer [Minai’s] lifetime with General Azimuddin Khan’s help on words starting with Ameer Minai, forever nostalgic for Lucknow, also penned volume upon volume based on his observation of north-Indian Muslim culture. Ameer Minai’s collection, both in its original form and with many photocopy additions made over the years, has now passed on to him and is housed in his compact little study in Karachi’s Defence area. Shab-e-furkat ka jaga hun farishton ab to sone do, Kabhi fursat mein kar lena hisaab aahista aahista. The Ameer Minai collection has traversed through time, withstood fires and rains, even survived the division of the Subcontinent. I hope you like this book Deewan e Ameer Meenai Pdf and share it with other people. The memories he received from his own parents take him even further back – before his own birth – to the mid-19th century. In was an ironic development since Muhammad Ahmed Minai considered poetry to be an intellectual and pecuniary waste. He had the noble thoughts and worked according to his life theory. Israil’s son Mustafa describes the earliest influences that he imbibed through his conversations with his father and his father’s siblings on politics and poetry.

For Israil, it is a source of immense family pride that his grandfather was the scholar and poet Ameer Ahmed Minai. It is often difficult to determine when and who copied a book though there exist a few clues. Scholars allegedly discovered his letters in waste paper discarded by the Minai household. Three of these cupboards were once the property of his late brother Idris — numbered lists informing visitors of the contents of each of them. The consequent downfall of the princely state of Awadh, which patronised poets and artists, forced Ameer Minai to look for employment elsewhere. He helps us determine our historical coordinates. He wrote in Urdu, Persian and Arabic. When Ghalib’s feet were chained, he made the chain’s short length a radius: the radius of a circle in which he kept moving endlessly round and round and round, so his motions did not cease even when his feet were constricted — “this is a wheel not a chain, for nothing can hinder my excursions!” Rising from the ocean of traditions, then, we see Ameer Minai’s creative tide — his lyricism is fresh, his address is new and direct and his constructions are so flowing, so unintimidating, so friendly, so lucid and pure that many of these have become part of our everyday parlance. He also often allowed his readers to sit in on the many While Ameer Minai is primarily known as a poet, Israil insists he was much more. No, it’s not I, it’s my passion that pulls me thither”:In Ameer Minai’s vast collections of devotional verse we find even the physical symbolisms, including those that describe the bodily characteristics of the beloved — the eyes, the eyelashes, the hair; then, the rose and the nightingale, the dew, the musical instrument (But Ameer Minai is more than a poet. The historical Ameer Minai was a thorough gentleman. He was respected by several contemporary poets including Ghalib and Daagh Dehalvi and by Muhammad Iqbal. Israil considers the older tradition of stowing away family collections from public eyes to be quite abominable and prides himself in opening his grandfather’s collection up to whoever has been interested. Not wishing to be outdone by his departed predecessors, he offered employment to Muhammad Ahmed Minai, Ameer Minai’s son, as a poet. With the eye of a miniature artist, he effectively recreated the city with his words, describing each building, each garden and each street and narrating the stories that lay hidden in them. It is the exercise of innovations within restrictions that serves as the control which saves poetry from degenerating into solitary non-communicative babble. Read our large collection of Ameer Minai poetry. The fire raged through his house, leaving his precious library in cinders. The whole classical ecology of this centuries-old travel attends the poem — the long route, the impatience of the pilgrim walking on his feet, the caravan, the dust, the sick traveler. He has also been approached by other foreign libraries, including those attached to various American universities, with requests to donate the collection but he has refused them all.

One by one, the rest of the family, including Israil, followed him. The Nawab would pay off the debts while Ghalib enjoyed the famous mangoes of Rampur. Just the The well-known poet Mirza Dagh Dehlavi, Iqbal’s early teacher, was a contemporary of Ameer Minai. Ameer Minai proved his standard in the presence of other significant poets. Yet, at his age, Israil feels that the task at hand is far bigger for him to shoulder alone.There is a conspicuous reverence in Israil’s tone when he speaks about his grandfather.



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